An Alamyighty Mess

Sicilian sunset

It’s sunset time for Alamy

I believe I joined online photo library Alamy in 2004. Back then they were offering half decent rates and a healthy sales percentage to photographers.

Over the years the rates have fallen and the percentage paid to contributors has tipped inexorably in favour of Alamy.

However, it’s time to withdraw from what has become a rather photographer-un-friendly agency. The latest revision to their terms and conditions means even less power to the photographer wishing to keep control of their copyright, and even less likelihood of being paid for re-uses of images when a client decides to extend their original usage. It’s an issue too involved for this blog, and anyway you can read all about it over on EPUK.

Alamy’s reputation amongst photographers has been further strained when this week they sent out an email (which I also received) to thousands of contributors telling them the interest in their work had spiked. That is to say, more people were clicking on more of any given photographer’s images to view them. Not buy them, mind you, just looking. That’s lovely then, my bank manager will be pleased.

The problem with this email is it quickly became apparent that they had sent this to a very large number of contributors, telling them they were in the top 10% of contributors being sought out by potential clients.

Mathematically, not everyone can be in the top 10% (to be precise only 1 in 10 can), but while Alamy claim to have informed 4,000 of their almost 40,000* contributors of their good fortune, it seems odd that so many, like myself, only have a few hundred images on the site and personally I’ve not seen any spike in my statistics. I’ve certainly not seen any extra sales either and I hear I’m not unique in this.

It’s impossible to verify that Alamy really has only informed the top 10% contributors, we’ll have to take their word for it, but some have questioned the timing of this email while there are so many complaints about the new T&Cs and quite a few photographers already pulling their collections from the site in protest.

I’m sure Alamy would say that the email and the change in T&Cs are pure coincidence, but if that’s the case, who sanctioned the release of the email now? Did they not know about the T&Cs furore? Are departments within Alamy so unaware of each others’ work and the PR crash this would cause?

tweet and reply between Tim Gander and Alamy

Alamy denies all their contributors got the same email

Another problem with the figures is no one outside of Alamy can question them. Even contributors posting on the members’ forum about the new T&Cs and/or the “10%” email are finding their threads removed by forum moderators, presumably to stop a full-blown revolution and a loss of more contributors.

Now it’s worth mentioning I have 652 images on sale through Alamy. That’s a teeny tiny number compared to more than 55 million they host (again, how did I make the top 10%?!) My point being, if I leave Alamy they will notice my departure in much the same way a cow poo notices the exit of a single fly. Equally, my sales are so infrequent and the rates paid so utterly miserable, that like the aforementioned fly, I will barely notice that I’m no longer standing in poo. But being part of the fly swarm means all the work I do is devalued, and I think it’s time I valued my work more.

When I leave Alamy, which I’m 90% certain I will do (note to Alamy: that’s 90% of 100%, in case percentages are tricky for you) it’s possible I will not offer those 652 images anywhere else. If I do it’ll be through my own website and at prices I set. I might never sell a single frame, but at least I won’t have to get angry at the risible fees and overgenerous licences Alamy sell my work for.

So good bye Alamy. I’m sorry it’s come to this, but clearly you don’t need photographers who care about the value of their work.

PS. If Alamy are having a hard time, you should see the mess Getty Images is in. They’re so much in debt, they can’t even pay their interest charges.

*Alamy’s figures. In fact if they’ve got just under 40,000 contributors (see twitter grab), 4,000 must account for more than 10% of them.

Update: As of this evening I have given Alamy my formal notice to quit as a contributor.

Decisions, decisions…

Since the start of the recession, many businesses have had to adjust to a new reality. Everyone is in competition with everyone else and the only growth sector has been the printing of money as the Government bailed out banks to prevent a crisis in the luxury yacht industry.

For most of us though it comes down to hard decisions on what we invest in to help grow our businesses and what we cut back on to save the bottom line. Do you lay off the chauffeur and spend the money you save on a new website? Sell your children’s kidneys to fund an advertising campaign? All difficult decisions. Since my children don’t smoke or drink and can function perfectly well with only one of each vital organ, it’s been a bit of a no-brainer for me (which is handy since I sold my brain), but some of you may have tougher choices to make.

So when it comes to deciding on whether to refresh the photography on your website, or buy a new iPad or new leather-faced office chair, let’s think about which of those things will help your business the most.

The chair is lovely to sit on, meaning you’ll spend more time at your desk fielding crank calls from angry customers or playing solitaire on the PC while pretending to fill in the forecast spreadsheet for next year. What good is a forecast anyway? You predicted 18% growth for the last financial year, only to have to revise it last-minute by adding a “-” to that figure so forecasts are as useful as business plans or bets on the dogs.

You’re not sure why, but in your heart you know the iPad will help grow your business. Ok, in your heart of hearts (the one that isn’t real so can’t be sold on the black market) you know you just “want” it because you do, but you’re desperate to justify the silly cost on what is essentially half a laptop with a solitaire app built in. Now you can pretend to fill in spreadsheets while on the move. Amazing.

yellow ice lolly

Whatever you sell, it needs to look ent”ice”ing.

This is the bit where I say tah-dah! and announce that what you really need is some top-notch photography because that is what will help your business in a very positive way, and right now your business needs all the help it can get.

So there I’ve said it. Get some decent corporate photography. It sounds self-serving for me to say it, and not as fun as a new executive chair or an iPad, but if you look back to the start of this piece I said that everyone is in competition with everyone else. If one truth can be truer than another, this one is: You’re not just in competition with other businesses in your sector. You’re in competition with every other business out there since most people only have a finite amount of money to spend, and more often than not they’ll spend it on the shiny things. Every business is in competition with every other business, and nowhere more so than on the web.

How can photography help? By using professional photography, in a professionally-designed website or brochure with well-written copy, properly set up for search engines, you can make your product or service more findable and desirable than not only your direct competitors offerings, but also all the indirect ones competing for the same pot of money.

After all, what was it made you desire the iPad and the shiny office chair? Was it the rubbish photography and the cheap-looking ad campaign and website?