Electile Dysfunction Problems – what’s next?

We may have just had the most exciting election since Blair took power from the Tories in 1997, but the result has been somewhat surreal and indecisive. At least now David Dimbleby can finally take a nap and Gordon Brown can finally switch his smile off for good. No more face-strain for Gordon, no more wincing for us.

I suppose we have to accept that the most pressing job of the new government will be to sort out the dog’s breakfast we laughingly call our economy, though to be fair to Gordon and Labour, it really wasn’t their fault. The problem is, as it’s not the Government’s fault, by logical extension there also isn’t a great deal any government can do to correct it apart from push some debt around until it pops up somewhere else, like a fiscal version of whack-a-mole.

I don’t wish to dwell too much on the economy though. I’m happy to leave it to others with far larger brains than mine to make an even bigger mess of it at the expense of those of us least able to cope with the consequences. What I’m really interested in for the purpose of this blog is what a Tory/Lib Dem government will do about copyright, orphan works and extended collective licensing.

photo of tile mural in sicily protected by copyright watermark.

Will all photos on the net have to be disfigured just to protect them?

Yes, I know it’s not a major issue right this minute, but it will become one very quickly and we can’t be sure when it will sit up and slap us in the face, so we need to be prepared.

Let’s look back first to those halcyon days when a Parliament wasn’t hung and prime ministers weren’t a double act. When the Digital Economy Bill was passed into law (the DEB almost certainly will be revisited soon) and the orphan works clause was debated, albeit briefly, in the Commons.

What happened then, just to recap, was that under lobbying pressure from photographers and the Stop43 campaign, Conservatives (with an eye on the electoral prize) agreed to drop Clause 43, while Labour (perhaps thinking they had more chance of a majority than they actually did) decided they didn’t need to drop Clause 43 – or perhaps it was their bargaining chip for getting the rest of the DEB through all along, whatever. Meanwhile, Don Foster for the Lib Dems argued to amend the clause, but keep it. This despite the fact he’d been told in great detail why this was a bad idea.

So now that we have a Tory/Lib Dem coalition government, do we really know where the parties stand? The Conservatives said at the time of the DEB debate that there would need to be a proper review of copyright, OW and ECL after the election, and it would appear that at face value they have some sympathy with photographers and other creators of original content. But then we have the Lib Dems, who clearly don’t understand the issues.

With some luck the Lib Dems will see the light, and the Tories won’t be lobbied so mercilessly by publishers, aggregators and content thieves that they lose sight of the fact that photographers generate a great deal of wealth for business and the country. It’s part of our industry and our culture. It’s our heritage too. Without professional photographers, all users of images would suffer and visual innovation would stall.

It’s going to require a mammoth effort from core groups of photographers to draw up required minimum standards for any review and subsequent legislation, but it will also require the effort of individuals who claim to care about photography. They will need to keep in close contact with local groups, who in turn should keep an eye on developments at national level so that when the time comes, our voices won’t be drowned out by big business and freetards.

The Fat Lady has sung…

YES to victory over DEB

Professional and amateur photographers can celebrate this morning!

And what a sweet song of victory it was. Thanks to Editorial Photographers UK (EPUK), stop43 and thousands of individual photographers, clause 43 of the Digital Economy Bill was dropped (proof here if you scroll down to Enforcement Obligations) last night, and the bill was passed without it.

I wish I could add my thanks for the support of organisations like the British Association of Picture Libraries and Agencies (BAPLA) and the Royal Photographic Society (RPS), but instead they chose to opt for having their tummies tickled by Government perhaps (though presumably not in the case of the RPS) with a view to becoming licensors of orphan works themselves once the bill was passed. Instead they’ve left themselves damaged for having tried to sell copyright for a fistful of beans.

But let’s not be too proud in victory. All these organisations took views which they thought were correct. They operate in an unfamiliar environment now, and we will need to work with them over future legislation which will surely be tabled by the next Government. Copyright laws do need reform, photographers want it, and individuals and “representative” organisations will need to work alongside each other to achieve a fair balance between creator and consumer. All we ask is that our work, and the work of countless creative amateurs, isn’t stolen from us and sold to all takers, and that we have a statutory right to be identified as the authors of our work. There are other issues which need to be sorted out, but all in good time.

Perhaps the next important battle is the proposed changes to the Data Protection Act, which will see much photojournalism and street photography outlawed or rendered impossible. One thing at a time, though eh?

Orphans ‘R’ Us

viral photo condemning digital economy bill

Stop 43 has made virals with which to lobby your MP.

I just wanted to start this article by thanking everyone who read my last article, “Orphan Works. No It Doesn’t“. Each and every one of the 3,724 of you and counting, which is a personal record by a distance of about 3,600 (give or take). What the article proved to me is that A LOT of people are seriously concerned about the Digital Economy Bill.

So where are we now with the DEB? Well, we’re 5 days from triumph or disaster. Less than a week until the Government either rushes through this dog doo of a bill, or sees sense (HAHAHAHAHA!…) and decides that democracy is too important to usher in such a contentious and complicated bill without proper scrutiny(…HAHAHAHAHAHA!….)

We now know who’s lined up to be the culture vultures (pejoratively speaking), who will pick the commercial flesh from the bones of the orphaned works they’d like to sell.

The BBC, Publishers Association and others have signed a letter to Lord Mandelson and others within government exclaiming that without the ability to exploit creators’ works unhindered, their sectors will be damaged. I quote from the letter, which can be seen in full at Stop 43.org:

“We believe this outcome would be catastrophic for the creative industries. The strategic importance of making orphan works available and, for some industries, enabling extended collective licensing schemes, cannot be overstated. Failure to make orphan works available  is likely to result in  far cruder alternative solutions, which would run the risk of contravening the Berne 3 step test, and which would have far-reaching and damaging consequences for our sectors.”

Aw, poor loves. My heart bleeds, it really does.

What they fail to mention (strangely enough) is the converse, massive damage which clause 43 will inflict upon the creators of those original works which the BBC and others would like to exploit.

What we can be less sure of is the position to the DEB of other players. I know there is much disquiet amongst back-bench Labour MPs at the threat to copyright, and the Lib Dems are generally against the DEB being rushed through without scrutiny. Meanwhile, there has been no detectable or recent view from the Conservatives that I can see, and I have neither a Tory MP (mine is Lib Dem) or the right connections to get any kind of response from the Parliamentary Conservative Party.

What I do know is that Leader of the House of Commons, Harriet Harman, has been persuaded to give the bill a full day’s second reading debate on April 6th, which will still only be the Bill’s second reading. We can hope that enough opposition from all sides builds in these last few days, and that some brave Labour MPs go against the party whip to defy the bill once it’s been through the wash-up, assuming it gets that far. It’s still probable though that Labour will have a majority vote on the Bill. Let’s be honest, most Labour MPs don’t give a monkey’s cuss as they fully expect to be bounced out of Parliament pretty soon anyway. That’s if they’re not stepping down for fiddling expenses.

From all this, it’s still hard to say for sure which way things will go. Close to the wire doesn’t describe it, so continue to write, get onto your MPs’ Facebook pages and lobby them there. If this Bill becomes law with Clause 43 included, the consequences will be dire for both professional and amateur photographers. Prepare to lose control over your own photos, regardless of who uses them, how they are used and with no recourse to punish those who exploit them.

Update: Professional photographer Eileen Langsley blogs about the DEB.

Excellent illustration of when copyright abuse backfires monumentally in this article by professional photographer Jeremy Nichol.