A Frightfully Good Adventure!

It’s pretty exciting when friends launch into a new adventure. Even more exciting when they ask you to get involved!

I’ve known Neil and Suzy Howlett for quite a few years now, but was totally unaware they were writing a book together until they got in touch to ask if I was interested in taking their author photos for Return to Kirrin, an affectionate pastiche of Enid Blyton’s Famous Five books.

Return to Kirrin imagines the Five as adults in 1979, a period of punk and political turmoil, and brings them together for new adventures on Kirrin Island.

My brief for this project was to create a set of images which could be used for a range of promotional purposes. Neil and Suzy wanted a look which was neither too staid, nor too whacky. A fine line to tread indeed.

I decided their garden would be perfect, in particular the little covered bench structure which was a usefully muted colour and had some mystery and a certain wistful charm about it.

We needed to achieve shots of Neil and Suzy together as well as a couple of individual portraits so that whatever they needed, wherever they needed it, there would be an image to fit the use. They also needed to look good and legible at smaller sizes. Landscape and vertical formats had to be catered for too, so as well as the wide shots you see in the gallery, I also made sure there was a good selection of upright shots in the set.

You can already see one of the images in use on the book’s Amazon page, where of course you can also buy your own copy.

The morning of the photo session was blessedly dry – rain would have been pretty unhelpful, and there was some lovely soft sunlight filtering into the garden. I still used a supplementary portable studio light to lift the shadows and to create a slightly ‘hyper real’ look and feel.

For the individual portraits I continued with the portable light, but matched it more closely to the daylight so it became less noticeable, more natural, but the test shots without it left the colours a little flat.

Now the book is out and available to buy, it’ll be fascinating to see how the images get used. For Neil and Suzy, I sincerely hope the sales go wild and I hope my photos help achieve the coverage they so richly deserve. In the meantime, you can follow the book’s adventures on the Return to Kirrin Facebook page.

Another Chapter

Smiling portrait against a grey background of author Sally M Gander

Standard head shot for small usage

Author portrait sessions are fun, I just don’t get to do them very often. That’s a slight understatement because in fact I believe in the last 15 years as a freelance I’ve done the grand sum of two. The first was in May 2003 for sci-fi writer Karen Traviss for her book City of Pearl, the second was in November last year for young adult fiction writer Sally M Gander* as part of the launch of her debut ebook, The Big Deep. A gap of just over a decade. Hardly London buses then.

What’s fun about them is that they are an opportunity for more creative input than I tend to get with, for example, corporate portraits. Using Sally as an example, we were able to discuss style and mood which feeds into considerations of location and, for me at least, what kit to use. Also, since the writing world has changed so dramatically since the halcyon days of 2003, we needed to consider context a lot more.

Author Sally M Gander's photo session in the street is interrupted by a passerby hugging her

A hazard of taking portraits in the street

Not only will these photos be needed for a possible inside jacket, but also for all kinds of social media, blog use, press use, print and digital. In fact I suspect the shoot covered Sally for pretty much everything barring projection onto the London gherkin (not sure what my obsession with all things London is this week).

We started the session with some fairly straight head shots, indoors against a white backdrop, then switched to grey. Some smiling, some straight-faced as these are useful for when a portrait is to be used very small somewhere.

After the warm indoor part we ventured onto the chilly streets of Frome and worked on getting more mood into the shots and making sure there was a variety of landscape and portrait orientations and shots with left/right emphasis. In order to work fast I stuck to just two lenses, a 35mm and a 105mm, and a single flash to augment the rather nice daylight.

Even keeping it simple takes some time. Add in the odd interruption (a hazard of taking photos on the street) and a couple of changes of location, and by the time I’d finished Sally’s eyes were watering so much it looked as if she might be crying. It’s possible she was, it was bitterly cold.

Landscape portrait of Sally M Gander, author, taken in Shepherds Barton, Frome

A landscape-oriented shot is also useful

The session finished, later that day I did the editing and processing on the files and delivered them to Sally, who said they were absolutely the best photos ever taken of her (I paraphrase, but she was definitely pleased).

So now all I have to do is wait another decade for my next writerly client. I’ll let you know when it happens.

Frome-based author Sally M Gander poses by a stone wall in Frome

An alternative backdrop and different expression change the mood completely

To buy Sally M Gander’s debut novel The Big Deep, click here.

*Yes, there is a relationship between myself and Sally M Gander. We are married. We are separated. We are friends.