Catch it while you can!

Of course I’m not talking about coronavirus here, which I wouldn’t wish on anyone. What I’m referring to is my interview on BBC Somerset, which is only available until some time on the 15th March, so the link I’m posting below won’t work after that date.

The interview by BBC Somerset Radio’s evening presenter Charlie Taylor came about as a result of the launch of my outdoor exhibition in Frome which features 13 images from What Happened Here, my long-term art/photo-documentary project on the Saxonvale site.

I went along to talk about my work, the origins of What Happened Here and about how Mendip District Council came to sponsor the public exhibition of the work.

You can listen via this link and I kick in about 15 minutes from the show’s start.

So yes, enjoy it while you can and feel free to drop any comments or contact me with any questions.

2020 and BEYOND!

Often at the close of a year I’ll put together an annual review, but 2019 was different in that it was the close of a decade.

So why didn’t I do a review of the decade? Simply put, I ran out of time. After three months of Bunker conversion, the end-rush to get it ready to coincide with the looming termination date of my tenancy at The Old Church School (eight years there!) PLUS client work PLUS admin PLUS Christmas, I had to make some harsh decisions about what I could and could not fit in.

In fact I was so busy, it barely sank in until quite late in December that we were in fact staring down the barrel of the 2020s. By the time I’d twigged, it was too late to put anything meaningful together. Sorry about that.

However, I’m now fully set up in the new space and although it’s early days, so far it’s working very well and I’m proud of what I accomplished in renovating what was a tatty-looking concrete structure, turning it into a genuinely usable, some may say attractive, workspace. I’m particularly chuffed that the only part of the project I didn’t tackle was the electrical installation. I may be insane, but I’m not mad! My general DIY skills have definitely improved with this project though, just don’t ask me to convert your shed/bunker/garage for you.

Returning to the subject of the turn of the decade, perhaps it’s a shame I didn’t get to look back and reflect, but I actually feel more in the mood for looking forward. After all, my photography of ten years ago is nothing like the work I’m doing now, and even further removed from where I want to take it in the coming years.

Through this year and the next few years, I’ll be working hard to build the fine art projects and prints side of my business (takeagander.co.uk) while continuing to invest in my corporate work, which still represents the bulk of my business.

The launch (see previous post) of the open air exhibition of panels from What Happened Here was a great end to the year and an indicator of the kind of outcome I’m looking for with my personal work – getting it out there and noticed and looking for new opportunities to shoot fresh work and see where it takes me.

With the corporate work I will of course keep developing my style, skills and services, but this relies in part on the personal projects which help me develop new practices outside of client time; I don’t believe in using my clients as guinea pigs for experiments.

What I’m aiming for is more of the same as in recent years, only bigger and better; my corporate work feeding my ability to shoot personal projects, with income from fine art prints and other uses of that work building up into it’s own sizeable income. I have plans, some vaguer than others, but plans nonetheless.

So if you’ll excuse me, I’m going to sign off now and start putting those plans into practice. In the meantime, do watch this space for news on forthcoming deals on fine art prints – I hope to announce something big soon.

Drive-In Gallery

As Bowie never sang, “It’s a crash course for the ravers, it’s a dri-i-i-ive-in photo exhibition.”

So having crammed another Bowie reference into a blog post like pushing a banana through a keyhole, what I’m trying to explain here is that I’m massively thrilled to announce that tomorrow sees the launch of my first solo exhibition in an open-air space. To be precise, it’s a car park, making this the world’s first drive-in photo exhibition.

Now, don’t ruin it for me by googling this and finding one already exists, I did search and the closest I found was an underground car park ramp to some billionaire’s posh residence with walls lined with priceless paintings. That doesn’t count.

This all started a few months ago when I approached Mendip District Council (owners of the Saxonvale site) to see if there was any way I could continue documenting the site since they’d made it secure. The timing of my contact was perfect – someone in the council had seen What Happened Here and decided some of the photos would look great on the site hoardings, so we looked at various possibilities from a few different angles and came up with a plan.

Mendip council officers agreed to go ahead with the project and I re-scanned the chosen images since they were going to go big, and I mean VERY big.

Two days ago I visited the very excellent Compugraphic in Frome to see some of the prints coming off their large-format printer ready to be mounted on aluminium composite board; thirteen images in total, 1.5 x 1 metre in size with two of them 1 metre square format. In other words, really huge prints and certainly larger than I’d ever had anything printed before.

I’d been concerned that I couldn’t supply good enough files for such enlargement, but when I saw the prints I nearly cried! They look fantastic, and where I’d been thinking that viewing distance would make up for any loss in quality, I’ll be happy for visitors to walk right up to these. They’ll be able to dive right into the grain of the images.

The panels will be displayed on hoardings in the Merchants Barton car park in the town centre for at least the next few months, so if you do happen to be in the area I hope you’ll check it out. You can find out even more from Mendip’s press release here.

In the meantime, this may well be my final post of 2019 as Project Bunker is overrunning and I’m on a deadline to transfer my office into it by the end of December.

So I’ll take this opportunity to thank you, my clients, my friends, colleagues and suppliers for making 2019 a pretty good year, with an extra special thank you to Naomi and her colleagues at Mendip District Council for rounding it off so spectacularly for me.

Oh and with regards the continued access to the Saxonvale site, we’ll see. I’m doubtful at this stage, but you never know, it could be what keeps me busy in 2020.

Photos with Grace

Between running the Found Notes project, converting the bunker into an office, client work and a yet-to-be-announced exciting piece of news (watch this space!), I’ve also been trying to get out and about with film cameras to make new photo-documentary work.

That’s not easy when I seem to be in a phase of casting about trying to work out exactly what it is I feel I need to document, but while I work through that question it’s important that I don’t let that side of my practice grind to a complete halt. Apart from anything else, just getting out and looking and shooting pictures opens up ideas to possible new series, even if the pictures I take don’t present obvious answers right now.

One example is from yesterday when I got a few minutes to pop along the road to take pictures of local climate protestor Grace Maddrell. Her specific campaign is to raise awareness of the forest fires destroying rain forest in The Congo.

I’d seen Grace over the last couple of weeks, but yesterday was my first opportunity to make a few images. We started with a chat so I could get more background to her campaign and motivation, then it was a mix of posed and un-posed pictures to see what worked.

The image here is probably my favourite, though ultimately it’s just a fairly simple posed portrait. It’s possible I’ll re-visit Grace for more photos – it would be interesting to document her protest as it continues in different weathers and as the Winter really sets in. That may sound a little heartless on paper, but I want to show her dedication and she is very serious about this cause.

Grace spends her time protesting in her home town of Frome as well as Bath and Bristol and campaigns alongside the Extinction Rebellion and FridaysForFuture movements, but by her own admission her ability to travel is limited by her lack of funds. But at least she’s doing what she can.

If you’d like to follow Grace’s story, you can find her on Twitter as @ElmGrace. Go give her some support and if you see her, give her a wave and a smile, she’d appreciate that. Even better, join her on her protest.

In the meantime, I’ll continue to do what I can to document her campaign locally. It could become the unexpected next series.

Lost and Found (repeatedly)

Those of you who’ve been following my personal projects will be aware of Found Notes, a series of photos of found notes, lists and illustrations which my good friend David Evans has collected over the past 26 years (and counting).

If you haven’t been following it, take a look here.

Well here’s s fun turn-up for the books. Amongst David’s collection was a series of what we came to call Affirmation Cards – handwritten colour-coded cards, each with a single word on the front face (Career, Life, Love and so on) and some kind of affirmative message on the back.

When David dropped off the main batch of notes for me to photograph, he hadn’t realised one of the affirmation cards was missing. There was no way of knowing, since they weren’t indexed, numbered or anything. He only discovered one had dropped out of the set when he found it behind his desk while hunting for something else.

So this card had been lost, then found, then lost again. As I wasn’t going to see David for a while he posted it to me, but it didn’t arrive. So then we considered it lost again. That is until this morning when, some three months after he posted it, it arrived in the mail. And so this note has been lost, found, lost again, found again, and finally lost and found again.

This note is the most lost and found note of all the Found Notes. Now all I have to do is look after it until I get a chance to photograph it. I’ll just leave it on this pile of paperwork for now…

Back from Bologna

I took a little break! Well, it was partly a break but also a great opportunity to do some personal photography work too.

My wife, Helen, is a freelance musician and she had a gig come up in the Italian city of Bologna, which I highly recommend if you haven’t already been.

So we took the opportunity to travel out together because we’ve not really had a break this year, and while Helen rehearsed I was able to take to my feet with a couple of film cameras to explore the city and find themes to develop.

I’ve no idea if the images I shot will come to anything as I’ve not had time to process the films yet, but I needed to be somewhere other than home, exploring new possibilities and just clicking the shutter to get my brain cells working creatively once more.

Had I been purely a tourist I would have done all the touristy things (though I did make the hike to the Basilica St Luca which gives excellent views over the city), but I prefer to see a place as its inhabitants see it, so I was quickly off the well-trodden hot-spots and finding myself in the grittier student quarters; Bologna boasts Europe’s oldest, continuous university.

Bologna is a very lively city, helped on this occasion by the Feast of St Petronius (also the reason for Helen’s gig) which brings crowds of devoted Catholic visitors to the city, which seemed to coincide with a large number of university graduations.

We had less than a week there and I found my interest flitting from the abstract to tourist activity to the bustling night life. It was more of a mental/creative workout than a structured approach with a particular theme in mind. If I’d had longer I could see themes and stories I would have liked to have pursued, but maybe that will be a good excuse for a return visit.

I’m just attaching a selection of phone snaps to this post, but I hope to make some of the film work available in future.

In the meantime, SALUTE!

It’s all happening here!

Yesterday was pretty eventful as a couple of projects finally came to fruition.

I was in the middle of setting up my exhibition of prints from What Happened Here at Black Swan Arts cafe in Frome when I noticed a mention from Ilford Photo on Instagram to say they’d just published an article I sent them a few months ago.

The article was a fun little thing about how to get extra creative with a Konica Pop, a classic 1980s point-and-click camera. I’d rigged one up so it could fire a flash that wasn’t built into the camera and some of the results were (I thought) pretty interesting.

The exhibition and the article aren’t really connected, other than they both involve film photography, but they’d both been planned some time ago. I just hadn’t expected them launch at the same moment, but that’s no problem, it’s all part of the fun!

So now you have a choice of physically seeing a bit of What Happened Here in Frome (just 13 prints for this show), or virtually seeing my article on the Ilford site here: https://www.ilfordphoto.com/making-photos-pop/

Of course you have the choice of doing neither, but I hope you do. They’re very different projects, but I hope equally entertaining.

Whatever you end up doing, have a fun and safe weekend.

More New Plans!

As if the launch of takeagander.co.uk wasn’t exciting enough, I’m now also preparing for an exhibition!

On June 20th I’ll be launching a small show in the cafe space at Black Swan Arts in Frome. Rather excitingly, the exhibition will run for a month and will span the very busy Frome Festival period (5th – 14th July) and will feature a very select choice of prints from my Saxonvale (What Happened Here) project.

The prints will be certificated one-offs printed on fine art paper and simply framed, matted and ready to hang. I’ve yet to settle on final prices, but I’m hoping to keep them as accessible as possible.

At this stage I’m very keen to hear from local businesses or organisations interested in part-sponsoring the exhibition. It’s worth noting that the Black Swan cafe is extremely busy at any time of year, but come Frome Festival it is almost always full to capacity, so an excellent chance for some valuable exposure.

With or without sponsorship, the exhibition will be a really exciting first public outing for What Happened Here and I’m looking forward to seeing how it goes down, especially from people who aren’t from this area or familiar with the Saxonvale story.

If you or anyone you know is looking for some additional publicity in conjunction with what I promise will be a beautiful and thought-provoking photographic exhibition, do drop me a line tim@timgander.co.uk. At the very least, let me know if you’re planning on coming down and perhaps I’ll see you there in June.

Tah Dah!

Well I’m sorry to have kept you waiting, but I hope you’ll think it’s worth it. My new site takeagander.co.uk is now live!

The name comes from my Instagram handle, takeagander, and since that’s where I’ve been posting work from my personal projects it seemed fitting to create a website which tied in with that. I was also incredibly lucky that the business which was holding the URL takeagander.co.uk had let their subscription lapse and they didn’t renew it before it expired. Get in there!

So now I have a site where I can bring projects together and offer high-quality fine art prints of the images, which I hope will fund new projects in turn. Of course that’s the dream and it’s very early days, but with the site having been launched less than a week ago, I’m thrilled to have made sales already.

I’ve kept the offer simple for now, just two paper types and a range of sizes, but if there’s anything you’d like to see (framing options, canvas prints perhaps?) let me know and I’ll look into the possibilities.

The galleries are set to grow in size and increase in number as I add new images and entire new series, so I hope you’ll bookmark it for regular visits. You can even sign up for updates, which I promise will be kept infrequent.

Of course this is all in addition to my on-going corporate communications work, but I have found that personal projects have really helped keep me fresh and energised when tackling commissioned assignments. It’s great to have both sides of my career up and running.

Please do let me know what you think of the new site, or perhaps more importantly the photos on there. I have to say the quality of display is impressive compared to how images render pretty much anywhere else on the web.

Of course if you see something you’d like to hang on your home or office wall, I’d be thrilled to make your custom, but you’re welcome to just say hello.

Sound Move

In this post I’m back to talking personal photographic projects, this time with one of the quickest I’ve ever done!

A few weeks ago, the local record shop in Frome, Raves from the Grave, was preparing for a move to a new location within the town as they’d outgrown their current store.

In fact they were only moving a couple of streets away, but they’d been in the Cheap Street shop for 12 years (22 years on the same cobbled street and Catherine Hill even before that), so in all that time had become something of a local institution.

I remember my first trip to the Cheap Street store. It was astonishing, with CDs on shelves which extended right up to the ceiling, with more squidged in wherever there was a nook or cranny. The same with DVDs, though I was never a big purchaser of those. The real pleasure though was that they also specialised in vinyl, new and secondhand.

So when I heard about the impending move, I decided someone (me) ought to go in and capture the essence of the place – the heady mix of chaos and order, the colours, lines and hopefully some of the people too.

Of course being a personal project, it had to be shot on film, which also seems appropriate for a record shop (in particular, one selling vinyl).

I only had a two-hour gap in my day and three rolls of film with which to capture what I could, so there was a bit of a challenge, but as a series it sits together pretty well.

Of course Raves from the Grave and I were able to trickle the images out on social media over the course of a week and it was fun to see the reactions to the images. I even started meeting people in town who told me how much they enjoyed the series.

Now the move is pretty much complete and the old shop is soon to be taken over by a new business, a chocolatier I believe, so I’ve captured the end of an era. What with that and Saxonvale, I seem to have a knack of capturing era ends. Maybe I’ve found a new niche!